Author Archives: alistair

UK Rock Music is Alive and Well

So, a while back The Guardian posted an article that spoke about the death of rock music, noting poor performances in the charts as a reason behind the assessment.

Thankfully, some of our favourite UK rock bands are proving this to be nothing more than ignorance and stupidity.

Whether it’s news at You Me At Six have debuted in the Top 3 of the Album Charts, or that acoustic folk-punk star Frank Turner will be headlining Wembley Arena next spring, there’s a lot of evidence to prove that the UK rock scene is thriving.

Sure, album sales generally are down (unless you happen to be Adele or have the backing of a huge label), but rock music (in its heart) was never really about mainstream acceptance.

Still, seeing several Top 40 charts on various weeks this year littered with names like Arctic Monkeys and Foo Fighters proves that rock music can (and will) survive the recent trend of over-produced pop and mindless lyrics.

It’s not just bands as big as those, though, who are making a dent – The King Blues managed to break into the Top 40 with their recent effort Punk & Poetry, with sound that is a far cry from the usual artists who grace the charts.

Of course, this should be taken with a pinch of salt – Frank Turner hit Number 12 earlier this year, but slowly dropped out.

That’s how it works – artists with a huge fan-base (or PR campaign) like Adele will constantly be selling 10,000 copies each and every week, whereas these lesser-known rock acts will have a strong first week as their loyal fan-base picks it up.

It’s still very encouraging, though, and it shows that maybe not everyone is interested in the latest reality TV star or pop act.

There’s a lot to enjoy and discover out there, from the likes of Your Demise and Enter Shikari to The Blackout and You me At Six.

Thankfully, these bands are starting to get recognition for their talents, and as the emphasis of the music industry shifts to the live environment, more of these bands will excel.

First Thoughts: Barclaycard Mercury Prize

So, the 12 Albums of the Year ahead of the Mercury Prize 2011 have been announced.

Some of them seem very safe, with the likes of Adele, Everything Everything, Elbow and Tinie Tempah getting the nod.

Whilst a lot of the 12 albums are deserving (I won’t pretend to have heard them all, although I will have done within a week or two), it does prove once again that a section of the British music scene is being ignored.

Several writers at Kerrang! Magazine have been outspoken at the lack of metal and rock music featured in the shortlist each year.

It’s a fair criticism, as the Mercury Prize wouldn’t even have to venture as far as bands like Bring Me The Horizon or Gallows in an effort to appeal to a huge part of our musical landscape.

Acts like The King Blues have put out stellar records this year, and it’s a shame that Punk & Poetry slipped under the radar of the judges.

There was a step in the right direction last year when Biffy Clyro’s Only Revolutions was nominated, but the Prize doesn’t feel broad enough to justify representing the UK music landscape.

I realise this has become more of a rant, and I’m sure all 12 artists are deserving of the recognition.

However, it would be nice to see a broader selection of artists next year, to represent the wide musical scope we have as a country.

Indie Labels Taking Over?

According to Music Week, the UK Album Chart is looking to get a bit of a shake-up, if the OCC mid-week sales are any indication.

Arctic Monkeys look set to go in at Number 1 with Suck It And See, which was released on Monday on an independent label.

Similarly, Seasick Steve finds his way into the Top 10 with his latest offering, whilst Example is topping the Singles Chart with ‘Changed The Way You Kiss’.

Perhaps most surprisingly – and one that makes me smile most – is that Frank Turner’s England Keep My Bones currently sitting at Number 6.

For those who aren’t familiar with his work, Frank used to front hardcore band Million Dead, before becoming a solo folk/punk singer-songwriter when the group disbanded in 2005.

Whilst he’s constantly touring, and has sold out the Brixton Academy, Turner is still a independent artist who wasn’t expecting such success.

Indeed, he doesn’t even really need it to qualify his music. That said, seeing such an important, political songwriter (whose sound isn’t very mainstream) leaping into the charts is quite exceptional.

As a whole, these independent acts make an important trend in the industry, where maybe artists can stop depending on major labels and a loss of creative control in order to “make it”.

I am a big advocate of indie labels and artists using the DIY approach to music, so it’s fantastic to see that actually paying off.

Also remarkable is that albums released independently can, it seems, sell well in spite of illegal downloading and despite maybe lacking the promotional power of a “major” release.

It’ll be interesting to see the final chart positions for these albums by the end of the week.