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A Streetcar Named Desire [1951] [DVD] | ![A Streetcar Named Desire [1951] [DVD]](http://ecx.images-amazon.com/images/I/51RKFhPUblL._SL160_.jpg) | Director: Elia Kazan Actors: Vivien Leigh, Marlon Brando Studio: Warner Home Video Category: DVD
List Price: £12.99 Buy New: £4.35 as of 21/11/2009 23:23 GMT details You Save: £8.64 (67%)
New (12) Used (2) from £4.35
Seller: selectcheaper Rating: 5 reviews Sales Rank: 4093
Format: PAL, Special Edition Language: English (Original Language) Rating: Suitable for 15 years and over Region: 2 Number Of Discs: 1 Running Time: 119 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 7321902112114 ASIN: B000JJRBN6
Theatrical Release Date: 1951 Release Date: October 2, 2006 Availability: Usually dispatched within 1-2 business days
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| Customer Reviews: Searingly seductive 'Streetcar' December 25, 2008 Elizabeth Greenfield (Cambridge, England) 9 out of 9 found this review helpful
Elia Kazan's adaptation of Tennessee Williams' play 'A Streetcar Named Desire' translates beautifully to the screen in this 1951 film version. Anchored primarily by screen giants Vivien Leigh (Blanche DuBois) and Marlon Brando (Stanley Kowalski), the film tells the story of a faded Southern Belle (Blanche) and her struggle to come to terms with her own existence in an increasingly faded world, and illustrates the dramatic conflict between Blanche and her brother-in-law Stanley, played by the sensual Brando.
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br /Having directed the play just years earlier on the Broadway stage, Kazan was keen to put his own mark on this film translation, where there is an overwhelming sense of the steamy South, encapsulated and enclosed, literally, within the walls of the Kowalski apartment. Although Leigh holds her own against Method giant Brando, her performance ultimately pales into insignificance compared to Brando's revolutionary interpretation of Williams' sexually-charged hero. Not only did it signal the dawn of a style of acting unseen in film - paving the way for such performances of James Dean's Jim Stark and Paul Newman's Brick Pollitt - but represented an archtype in male sexuality and sensuality in post-war America. Wearing t-shirts that reveal rippling biceps, quite self-consciously on the part of Brando, and a body that reminds one of a modern-day Adonis, Brando stalks through Kazan's film. Certainly, it is Brando's Stanley, and not Leigh's Blanche, who becomes the eroticised object of the film, something that, it is worth noting, Williams' original play did not intend.
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br /Through the use of lighting and sound, and through, of course, the magic of Leigh's performance, the film represents Blanche as a woman undone in the emotional and physical sense. The film tracks her emotional disintegration, choosing to use Williams' original sound effects (most notably with the Varsouviana when Blanche talks of her dead husband), and lighting and shading that come to represent the darker sides of her behaviour. Karl Malden as Mitch is also a casting masterstroke, and with Kim Hunter as Stella, the film fails not to impress with its delve into the dynamics of sexual desire and mental illness.
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br /Brando, however, becomes the film's scene-stealer - something Williams did not originally intend in his play. Brando is just too good looking for us to perceive his character as a menace and a bully. Kazan's attempts to translate and open out Williams' play on the silver screen in a Hollywood riddled with industry censorship ultimately created a landmark in film-making. A recommended watch at the highest level!
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Streetcar February 3, 2009 Kitty witter (UK) 1 out of 2 found this review helpful
One of the best plays/ films ever and this version is a masterpiece!!
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br /If you haven't seen this then miss it at your peril!
Brilliant! October 19, 2009 Ms. B. A. Fisher (London, UK) I ordered this DVD because I am studying Amewrican Literature, with special emphasis on Tennessee Williams. Much has been said about this movie, so I'm not going to go into much detail here, but I must say that it is the most explosive, seething and sexually charged movie I have ever seen: It absolutely seeps masculinity, which was Williams' point. The Deep South is a hotbed of steamy scenarios here, but of course, it is Brandos' film, first and last. Quite simply, brilliant!
Don't listen to the synopsis. July 16, 2008 A. Russell 10 out of 14 found this review helpful
The synopsis for this prodoct is awful:
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br /'The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law.'
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br /First, the point of the play was that she wasn't meerly a prostitue- not to mention that we are never explicitly told that she is. Only that she slept around for shelter and food. This is not your average prostution as the synopsis makes out. Also, he brother-in-law isn't just 'childish'- what a stupid thing to say. He has been working class his whole life and is resentful that someone with an 'easy like' (in his opinion) is here lying to people and acting like she is better. He doesnt 'taunt' her like a child. He destroys her sanity further, purposly, sneekily- that is not childish but malicious.
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br /The film is a fantastic adaption of Willliam's masterpeice- about class, and social status- homosexuality- intellect versus animalistic instinct- survival in a harsh world- relationships- society- sexuality- and much more.
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br /The perforamnces of leigh as Blanche and Brando as Stanley are fantastic (leigh is better than Brando thoguh at portraying her character).
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br /The only real flaw is the ending (which I will not spoil). The entire was play was meant to be about how the brutes survive in this world instead of those fragile ones who mean well. Yet the ending was changed completely- so you will not recieve the same message after watching this that was originally intended with the play. I reccomend buying the play and reading it before watching this. Though it is still great.
Unimpressed August 4, 2009 le Grand (UK) Have not viewed it all through because the quality of both picture and sound on this DVD are so poor.
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