Customer Reviews:
 Great Album. October 19, 2007
RUEBEN AMOS RUNACRE (ENGLAND)
I think this album is absolutely brilliant. Every track is a gem in my opinion and there is a perfect selection. Great value too.
 A well-balanced selection with some prime nuggets September 26, 2000
J. Kerr (Glasgow, Scotland)
49 out of 50 found this review helpful
Jimmy's debut solo album appeared in 1988 when he found himself between collaborations (The Firm and Coverdale-Page). Wasting My Time sets off with a suitably upbeat riff, John Miles on vocals sharing the punctuation with Jimmy's clean chords during verses, bottleneck guitar at the end of the line. Inevitably, comparisons with certain Led Zeppelin recordings will be made (particularly so when one lineup contains Robert Plant, and Bonzo's son Jason Bonham, in The Only One, a Page/Plant composition - turn up that guitar echo, one notch past Eddie Cochrane). In this case, the tempo and the production can be traced squarely to the closing track of Physical Graffiti, but the song stands out on its own.pWanna Make Love - with that title, you'd probably expect just the rockalong boogie that Jimmy starts off playing. His heavy rhythm work is loud and prominent, expertly framing John Miles' strutting sexual lyric. But wait for the chorus, and this axeman's gotta hooge surprise in for yer! He can hardly race to the end-of-the-bar riff quickly enough, prior to _s_t_r_e_t_c_h_i_n_g_ out the tension before the next crashing windmill stroke. And that tension, in these multiply-pregnant pauses, seems to heighten and lengthen with each repetition. This is the same dramatic combination of timed interruptions and whammy bar work that he used to such great effect on For Your Life (on Zeppelin's Presence album), but here it's taken to its absolute limit. Three such breaks in particular, taken near the end of the song, sounds so deliriously dazed and climactic - well it works for me. This track has genius at work.pWrites of Winter is a workmanlike Page instrumental employing various guitar textures and the trademark start/stop switches; though it's more of a journey by road, than anything evocative of winter. On the opposite side of the Page/Plant jewel lives Liquid Mercury, another masterly instrumental study in musical commas, colons, and ellipses.pLeon Russell's Hummingbird is given a blues makeover, with Jimmy's ambling but ponderous accompaniment to this beautiful love song lending extra depth of field and colour to Chris Farlow's emotional rendition. The master session guitarist can be heard wrapping around each line of the song, never obtrusive; the first solo is similarly understated, fitting the mood of the song perfectly. Don't worry though, the second solo is pure Page (it's his album after all).pEmerald Eyes is the last of three instrumental tracks sprinkled uniformly between the blues and rockers. This is a guitar ensemble arrangement built on a backbone of double-tracked twelve-string acoustics, with electric and synthesizer melodies and counterpoints; once again quite restrained and purposeful, delightful, engaging.pThe album concludes with two great original Jimmy Page / Chris Farlow compositions. In Prison Blues, Jimmy combines and continues the traditions and the well-worn paths of classics like You Shook Me and Since I've Been Loving You, by stepping on the brake pedal and letting the blues slide and glide. Zepheads, you'll know exactly what to expect from note #1, and Jimmy delivers once again. Finally, Blues Anthem sounds like an old standard of the genre, but ain't; it just happens to be so perfectly conceived and realised, it sounds like it's been around forever. An arrangement of strings, a soulful electric solo, Chris' perfect reverence for his subject, and Jimmy the production wizard with just the right levels on the echo and sadness sliders, make this a blues you will come back to. All said, a very well-balanced album, with some priceless chunks of gold.
Mindblast. January 15, 2005
Mr. M. A. B. Brown (UK)
6 out of 11 found this review helpful
This album of Page's pursuits beyond the perimeters of Led Zeppelin is a classic and in many ways betters the later pursuits of Led Zep.
Real good stuff, but don't expect Zep January 7, 2009
Washington Irving (Shropshire)
Approach this as the work of a great blues rock guitarist and song writer and not as the a Led Zep record and you'll be delighted with the maturity and skill of songwriting and musicianship.
br /It's more a 4.5 than a 4, only stopping short of a 5 as there isn't a song of the magick of a Stairway, Kashmere, Dazed etc.
 average June 21, 2005
8 out of 13 found this review helpful
really nothing too special on here nothing to hate but nothing to get really enthusiastic about either, not jimmy page at his best
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