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Overloaded: The Singles Collection |  | Artist: Sugababes
Label: Universal / Island
Category: Music
List Price: £5.99
Buy Used: £1.82
as of 22/11/2009 16:26 GMT details
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New (48) Used (17) Collectible (1) from £1.82
Seller: zoverstocks
Rating:  29 reviews
Sales Rank: 1139
Format: Special Edition
Media: Audio CD
Discs: 1
Running Time: 58 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.9 x 0.4
UPC: 602517093348
EAN: 0602517093348
ASIN: B000INAWHU
Release Date: November 13, 2006
Availability: Usually dispatched within 1-2 business days
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| Tracks:
| • | Freak Like Me | | • | Round Round | | • | Red Dress | | • | In The Middle | | • | Stronger | | • | Shape | | • | Overload | | • | Good To Be Gone | | • | Caught In A Moment | | • | Ugly | | • | Easy | | • | Too Lost In You | | • | Run For Cover | | • | Hole In The Head | | • | Push The Button |
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| Editorial Reviews:
Amazon.co.uk
It's been a slightly tumultuous but hugely successful ride to the top for UK superstars The Sugababes. They've lost not one, but two band members since forming in 1998, but have nonetheless achieved three Brit Awards, an ESKA, a slew of chart hits (including four number ones), four well-received LPs and - more recently - an inclusion in the Guinness Book Of Records for 'Best Female Act Of The Century'. iOverloaded/i, their fifth official album, is a Greatest Hits package, bringing together most of their main singles so far. Beginning with their Richard X produced hit "Freak Like Me" (their first number one), the album profiles most of their hits, including all their most addictive moments - such as "Hole In The Head", "Round, Round" and "Push The Button" - but excluding more lukewarm releases like "New Year", "Soul Sound", "Angels With Dirty Faces" and "Follow Me Home". There's some new material too, notably "Easy", the band's lascivious collaboration with Californian rock band Orson, and the catchy "Good To Be Gone", which is slated to be the second single from the album. i--Danny McKenna/i
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| Customer Reviews:
Showing reviews 1-5 of 29
 NO, they have NOT been re-recorded; YES, they're ALL hits November 25, 2006
a reader
37 out of 41 found this review helpful
Not much to say about this album - it's fabulous, of course. The Sugababes are a brilliant band and their singles (and albums) have all been great. This CD does miss off a couple of their minor hits, but overall it's a top collection.
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br /I'm writing this to correct the two previous reviewers' comments. These songs have NOT been re-recorded with the new line-up, these are the original versions so they can't possibly sound any different to before. Secondly, how can anyone say a single that reaches the Top 10 is not a hit?!! That's RIDICULOUS. Does that reviewer realise over 90% of singles released in the UK never even reach the Top 40? Of COURSE songs like Overload and Too Lost In You were hits. Anyway, chart positions aren't everything. This is actually a SINGLES album - it doesn't even say Greatest Hits, although it would still be true if it did.
Faultless December 8, 2006
JD (Salisbury, Wiltshire United Kingdom)
12 out of 13 found this review helpful
I find it difficult to understand how anyone can be disappointed with this album - it is the only greatest hits compilation I can remember that you can put on and not skip through a single track. I wouldn't usually write a review, but the ridiculous comments from other reviewers about top 10 singles not being hits and other such nonsense needs to be balanced out. I also think that missing out a couple of earlier numbers has created an album that truly has no dull moments and is perfectly paced from start to finish. Uniquely, even the new songs on this album, which from experience of other compilations are usually rubbish, are fresh and could even be described as highlights. This is pop music at its best.
AN ESSENTIAL GREATEST HITS FOR ANYONE WHO LOVES POP MUSIC November 14, 2006
Hernan Igot (Maryland, USA)
21 out of 24 found this review helpful
In the wake of All Saints' return and Girls Aloud's continued progression as a credible girl group (believe it or not), it seems too "Easy" for Sugababes to seem lost in the mix. Fear not, because this compilation should silence the coldest of musical critics. Sure, Sugababes may seem less bombastic and more laid back...In fact, too laid back, in comparison to the huge personalities displayed in the other leading UK girl groups at the moment (the aformentioned). Well, referencing past Sugababes track "Whatever Makes You Happy," "it's all about the music, not the face." Sure, Sugababes are more savvy on looks than ever these days, but not without being complimented by music that's just as confident, sexy, sassy, and effortless. Sugababes may have been All Saints' successors in cool, edgy pop, but they've crafted a sound all their own in this extremely consistent collection of hits.
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br /A few music critics have said that Sugababes have pretty much upped the game and changed the face of British pop music since their arrival. There would be a unanimous "yes, of course..." to that comment, as nonchalantly-phrased as any oh-so-cool Sugababes single included in this collection. Oh no, "Angels With Dirty Faces" wasn't their first introduction as the alternative to stupid, safe, bubblegum pop. They've had that special "something" since their debut album, "One Touch," a project they made when they were just 15 or 16 (as evidenced by the inclusion of "Overload" and "Run For Cover," two prime singles that showcased how far ahead of the pop game they were at the time - they still are, in fact, on top of their game today). Hate as they may, but Suga-bashers even have to respect how much they've contributed to UK pop: they made it okay for aspiring acts to sound edgy and most importantly, be themselves in the process.
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br /Too much can be said about how great and filler-free this compilation is. In the meantime, let's revisit the magic of their singles, track-by-track:
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br /1. "Freak Like Me" - This monumental single did three big things: it introduced Richard X, a great maverick pop producer that has gone to make better, edgier pop for acts such as Liberty X and Rachel Stevens; it reintroduced the public to Sugababes as UK pop superstars; and it popularized the notion of the potential for pop to be as edgy as it is catchy. The track will forever remain a landmark Sugababes accomplishment, not only because it was their first #1 single in the UK charts, but it crucially put them back in the map during a time when pop needed to be exciting again.
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br /2. "Round Round" - Continuining the pushing of the envelopes of pop, Sugababes released "Round Round," no doubt their best dance-inflected single. Think of a dance track on acid played in a dark, grungy club, while still being damn infectious. It still is. Sugababes have arrived at this point (it shows: this was their 2nd #1 single, and a consecutive #1 hit too, after "Freak Like Me").
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br /3. "Red Dress" - Seems oddly weak following its sonic mother, "Round Round," but still proves how Sugababes can still make fresh-sounding, edgy dance-pop even today. The track also introduces the much-needed husky, sultry vocals of newest member Amelle. It's rocky, it's cocky, but it's still oh-so-cool Sugababes.
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br /4. "In The Middle" - Probably their weakest uptempo single, it settles fine within a collection of solid pop gems. Sounds more Girls Aloud-ish, but Sugababes inject it with their sassy, effortlessness, and attitude to make this electro-dance track theirs.
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br /5. "Stronger" - This track showed to the mass media that Sugababes are just as versatile as they are devastatingly effective in their approach to pop. Taking away the cheesy from the ballad format and making it dark, this great track became a model for Sugababes' trademark ballads: brooding and moody. One of their best recordings yet!
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br /6. "Shape" - One of their weaker ballads, but still a strong single in this collection. It's slick, cool, and sort-of RB-sounding. It's very calming also. Still a good track though!
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br /7. "Overload" - Their very first single and what a damn first single it is! Besides the fact that they manage to make it sound so damn cool and good despite all the stuff going on in the track, it's hard to fathom the fact that they actually wrote this when they were teenagers (15 and 16 years old!). A classic post-millennial pop masterpiece: God bless the Sugababes!
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br /8. "Good To Be Gone" - A welcome addition to the Sugababes' discography and their 2nd single for this collection, this continues to push their sound towards cool, understated pop. It sounds like Goldfrapp mixed with more alternative/indie elements. As addictive as current single "Easy," but with more nonchalant, icy vocals that can be done by only one other pop act: All Saints (that's saying a lot).
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br /9. "Caught In A Moment" - A very good, trip-hop-ish-sounding ballad about love. It might seem sappy, but it definitely hits the mark: moodiness from the girls, great strings, heavy beats. It's silky smooth, yet it's edgy as a pop ballad. I can't stop associating Sugababes' pop with "edgy" and "credible."
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br /10. "Ugly" - A lighter single with a positive message: a slight change for Sugababes. This shows that they care, sort of. It's still bitchy in its "I-don't-give-a-damn"-isms. More pop/rock affair, but still very catchy.
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br /11. "Easy" - Current single and although not as immediate (especially with the slow-burning, yet funky verses), it's all worth it when the massive bridge/chorus combo makes the song erupt to sonic pop bliss. Sounds like Girls Aloud, but Girls Aloud can never sound this damn cool.
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br /12. "Too Lost In You" - Sappy ballads are faw and few with the Sugas, but when it's time to step up to the plate, they do it well. This track shows how they can make even the most romantic-sounding pop track sound urgent as well as moody. So damn eargasmic!
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br /13. "Run For Cover" - As "Overload" introduced the 'Babes as moody teenagers that were just too damn cool and "don't-give-a-****" for their own good, this brought audiences deeper to their dark world. As pleasing as a walk through the dimly-lit London streets in its uneasy, yet grungy atmosphere, this track encompases just what that feeling of being in the dead of the night is like: a cool, dark wonderland put in an untouchable pop single.
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br /14. "Hole In The Head" - Like a diet version of "Round Round" sprinkled with a bit more acoustic and ska elements, this still remains one of their strongest dance-pop tracks. It's also a great, bitchy "**** U" track as well. Remember, this was a #1 single too: it was the only single ballsy enough to knock off The Black-Eyed Peas and their ubiquitous single, "Where Is The Love?," from their 6-week reign at the top of the singles chart.
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br /15. "Push The Button" - Their biggest single to date (#1 for 3 consecutive weeks!): save the best for last. So uncharacteristically them because of its super happy hardcore backing track, but they're as sassy as ever with this one. Girls Aloud may be doing the whole "stupid-and-random-is-the-new-genius" thing, but Sugababes prove that they can hold their own on a more upbeat track without compromising their integrity and intelligence as sassy, young UK women with this one.
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br /So the verdict? Too damn good for words. Just listen to this. All killer, no filler. If you don't get this, you don't like pop. There may be a surplus of girl groups in the UK right now, but they're all solid, and Sugababes will continue to hold their own as a unique act that is consistent with their solid pop releases. Sugababes shouldn't even be associated as girl group: they should just be a term for any music that's quality and solid. As a reviewer once said, "There isn't anything that Sugababes can't make sexy." I can't put it any better...
Sugababes - The Greatest Pop Collection Of All Time October 31, 2006
O. Thorne (London)
19 out of 25 found this review helpful
Since Overload crashed onto the music scene in 2001, to the new electro clashing Easy, the Sugababes have explored almost every crevis of music. This album marks their resounding success, as british pop queens! This 15 track masterpeice contains more hook than any album i can think off, from the underground pop masterpiece that is Freak Like Me, to the drum beating roars and orgasmic beats of Push The Button the Sugababes have proved themselves one of the best girl bands of all time. They have obtained both critical and commcercial acclaim along there way to pop stardom, a feat that not many artists can proclaim. Each song on this album is brilliant to say the least, each as fresh and exciting as the other. Album highlights include Push The Button, one of they greatest pop tunes of all time, Stronger, an RB/Pop medly of sorts that can reach out and touch even the most synical of critics. To be honest, i cannot say album highlights, as every song on this album is a highlight.
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br /This is the most accomplished, brilliant album i have heard in a long time, expect it to be HUGE!
Overloaded with quality November 14, 2006
M. D. Smart (London, UK)
11 out of 15 found this review helpful
I don't know about you, but I feel warm inside every time I think how London Records must still be gnashing their teeth over dumping the lovely Sugababes after their first album failed to set the charts alight. In the profit-driven music industry of today, it's a salutory lesson to record companies who drop artists on the results of their first couple of releases without giving them a chance to build a fanbase. Speaking of regrets, founder member Siobhan Donaghy (who quit at the same time as the break from London) must also feel like smashing her foot through the TV whenever the 'Babes clock up another hit.
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br /Despite being dropped, a couple of line-up changes and persistent rumours of catfights within the group, the Sugababes have not only survived but flourished, and that's a tribute to the quality of their material - a fact very evident on this Greatest Hits collection; they actually had enough choice tracks that they could afford to leave some off. So, it's not a truly definitive record of their chart career to date, but it does represent them at their absolute best. Like their more poppy, campy cousins Girls Aloud, the 'Babes have a knack for trotting out one pop gem after another, and there isn't a weak song to be found on this CD. Every track fizzes with the no-nonsense attitude that has endeared them to women and gay men - I always get the feeling that any man foolish enough to pester them would get a smack in the gob - backed with some of the most memorable hooks of the past five years or so. Their ability to transcend the barriers of musical snobbery means they are equally beloved by pop kids, r'n'b junkies and indie fans alike.
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br /Along with 'The Sound Of Girls Aloud', this is an essential collection for any music fan. Here's to their next greatest hits album!
Showing reviews 1-5 of 29
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