Antichrist
Nine times out of ten movies go by without any fuss and bother but every so often one comes a long that causes all manner of fuss todo and who-ha.
And this week it’s Anti Christ that has been causing a stir since it appeared on the festival circuit this psychological horror film outraged viewers at the world premiere at Cannes Film Festival.
But to celebrate the release of the movie this week FemaleFirst takes a look at some of the movie that have whipped up a storm over the years.
- Midnight Cowboy (1969)
Prostitution leads this desperate story of a country boy trying to make a fun dollar in the city. Joe travels to New York with aspirations to be a commodity for upper class house wives, who neglected should need a gigolo.
The Stetson clad boy is unfortunately hindered by his lack of sophistication and inability to perform, which leaves him reeling with frustration.
Barren pockets and desperation lead Joe to darkened movie theatres and grim hotel rooms where he begins to perform homosexual acts. These closeted moments make Joe a vulnerable target and led to his savage murder of a client.
- A Clockwork Orange (1971)
The film depicts a dystopian world in which free will has created a malicious new trend, ultra violence. The audience follow Alex and his gang of droogs as they torment, beat and overpower bystanders to gain a greater status amongst the gangs.
The cult imagery was replicated, however, by aspiring criminals who wore masks similar to those in the film when undertaking their own crimes.
Director Kubrick, responded to the intense media pressure on the feature and death threats to his family by imposing a ban on the film which lasted until his death.
- Last House on the Left (1972)
On shooting actress Sandra Peabody was so traumatised by the intensity and reality of the infamous rape scene in which she played victim Mari Collingwood, that she reportedly left the set.
The scene itself is a sickening display of inhumane activity, as the camera captures every gleeful moment a group of convicts after they kidnap two girls and take to their bodies as though they were canvases for their animalistic desires.
The teenage friends are forced to perform acts on each other, are raped, disembowelled and finally strangled.
- Last Tango in Paris (1972)
Best known for the infamous ‘butter scene’ in which Marlon Brando prepares his accepting victim for anal rape, this sadomasochistic dream compiles every thinkable element of the term.
The horrifying treatment by the widower towards his non romantic partner, a naive twenty who’s compliant with his no questions policy makes herself susceptible to his vile treatment of her.
The abuse she suffers verbally, emotionally, ethically and physically shocks continuous as events continue to escalate into the extreme. Despite the controversy Brando was still nominated for a Best Actor Oscar.
- Salo / 120 of Sodom (1975)
Based on the work of the Marquis De Sade, the inspiration of the master sado-masochist author is never missing from the action of this film. The film centres on the lives of a small group of children taken by Nazis as tools for their pleasure.
The film is laden with scenes which question the viewer’s morality; anal rape, suicide, tongue extraction, scalping, eye gouging, genital mutilation, incest, the murder of a non compliant youth, coprophagia all of which have kept it one of the most controversial features available on the market today.
- I spit on your grave/ Day of the Woman (1978)
An unfortunate swimmer is repeatedly raped by four men, who savagely work together to render her helpless after they seize her at the banks of the lake where she had previously been skinny dipping.
The gang’s graphic assault lasts for 40 uncomfortable minutes, in which the viewer is held within the camera’s passive perspective, watching as every humiliation the victim endures is graphically captured.
The sexually premeditated revenge of the victim turned killer takes a callous route which didn’t agree with the stomachs of censors; taking to hanging, castrating, axing and disembowelling the assailants of the original crime.
- Life of Brian. (1979)
The second film outing from the Monty Python crew prompted a reactionary fume and puff from vicars at the time of its release. The clergy claimed that the comedy sought to mock Christianity by drawing on the life of Christ as a parallel for Brian’s life, and asked that members of church congregations refrain from supporting the feature.
Palin and Cleese fought back at these claims and blamed the similar setting and period as the cause for any crossovers. The film ends with Brian a martyr for the cause, suspended on a cross and whistling along to, ‘always look on the bright side of life.’
- Blue Velvet (1986)
Director Lynch successfully breaks the illusion of the neat, small town setting with a disturbing undercurrent which permeates the image of everyday life with several dark scenes.
When the sexually intrigued, all American boy Jeffrey Beaumont watches nightclub singer Dorothy (Isabella Rossellini) through the crack in her wardrobe door, things begin to twist into a nightmarish landscape marred by dark sexual turns.
The youth is fascinated by the rape of Dorothy by her gangster boyfriend Frank Booth played with incredible conviction by Dennis Hopper, whose macabre sex game of acting as ‘daddy’ and ‘baby’ whilst sniffing at nitrous will remain a disturbing focus point for audience.
- Kids (1995)
A dark and disturbing view on the selfish viciousness of promiscuous youth, Kids follows the spread of aids in a small community of friends. Telly, 17 and infected with the disease hunts for teenage girls known to be virgins.
Though the girls, some of which are under the age of consent, do agree to acts with Telly it is their ignorance and his knowledge of his own condition which disturbs the audience as he insists on unprotected sex.
Uncaring, young and audacious the cinema verite style creates such a grim picture of an uncaring, youthful generation who selfishly use sex as a weapon.
- Anti Christ (2009)
The most recent of the features listed, Anti Christ has achieved notoriety quickly by distinguishing itself from the current onslaught of bloodbath horror films with extensive visceral action.
Outraged critics have responded badly to explicit scenes of genital mutilation, attempted murder, vigorous sex scenes and a graphic masturbation sequence.
Anti-Christ is out now.
Nine times out of ten movies go by without any fuss and bother but every so often one comes a long that causes all manner of fuss todo and who-ha.
And this week it’s Anti Christ that has been causing a stir since it appeared on the festival circuit this psychological horror film outraged viewers at the world premiere at Cannes Film Festival.
But to celebrate the release of the movie this week FemaleFirst takes a look at some of the movie that have whipped up a storm over the years.
- Midnight Cowboy (1969)
Prostitution leads this desperate story of a country boy trying to make a fun dollar in the city. Joe travels to New York with aspirations to be a commodity for upper class house wives, who neglected should need a gigolo.
The Stetson clad boy is unfortunately hindered by his lack of sophistication and inability to perform, which leaves him reeling with frustration.
Barren pockets and desperation lead Joe to darkened movie theatres and grim hotel rooms where he begins to perform homosexual acts. These closeted moments make Joe a vulnerable target and led to his savage murder of a client.
- A Clockwork Orange (1971)
The film depicts a dystopian world in which free will has created a malicious new trend, ultra violence. The audience follow Alex and his gang of droogs as they torment, beat and overpower bystanders to gain a greater status amongst the gangs.
The cult imagery was replicated, however, by aspiring criminals who wore masks similar to those in the film when undertaking their own crimes.
Director Kubrick, responded to the intense media pressure on the feature and death threats to his family by imposing a ban on the film which lasted until his death.
- Last House on the Left (1972)
On shooting actress Sandra Peabody was so traumatised by the intensity and reality of the infamous rape scene in which she played victim Mari Collingwood, that she reportedly left the set.
The scene itself is a sickening display of inhumane activity, as the camera captures every gleeful moment a group of convicts after they kidnap two girls and take to their bodies as though they were canvases for their animalistic desires.
The teenage friends are forced to perform acts on each other, are raped, disembowelled and finally strangled.
- Last Tango in Paris (1972)
Best known for the infamous ‘butter scene’ in which Marlon Brando prepares his accepting victim for anal rape, this sadomasochistic dream compiles every thinkable element of the term.
The horrifying treatment by the widower towards his non romantic partner, a naive twenty who’s compliant with his no questions policy makes herself susceptible to his vile treatment of her.
The abuse she suffers verbally, emotionally, ethically and physically shocks continuous as events continue to escalate into the extreme. Despite the controversy Brando was still nominated for a Best Actor Oscar.
- Salo / 120 of Sodom (1975)
Based on the work of the Marquis De Sade, the inspiration of the master sado-masochist author is never missing from the action of this film. The film centres on the lives of a small group of children taken by Nazis as tools for their pleasure.
The film is laden with scenes which question the viewer’s morality; anal rape, suicide, tongue extraction, scalping, eye gouging, genital mutilation, incest, the murder of a non compliant youth, coprophagia all of which have kept it one of the most controversial features available on the market today.
- I spit on your grave/ Day of the Woman (1978)
An unfortunate swimmer is repeatedly raped by four men, who savagely work together to render her helpless after they seize her at the banks of the lake where she had previously been skinny dipping.
The gang’s graphic assault lasts for 40 uncomfortable minutes, in which the viewer is held within the camera’s passive perspective, watching as every humiliation the victim endures is graphically captured.